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Australian musical project Dead Can Dance was formed in 1981 by Lisa Gerrard and Brendan Perry in Melbourne, later relocating to London in May 1982. Music historian Ian McFarlane described Dead Can Dance's style as 'constructed soundscapes of mesmerising grandeur and solemn beauty,...
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We’re Only In It For The Money is one of the most essential rock albums of all time. With its scathing messages, use of parody, Musique Concrète & Dadaist tendencies, there truly is nothing like it. Rolling Stone ranks it among its 500 Greatest Albums Of All Time. This LP reissue is...
Weasels Ripped My Flesh, released in 1970, is the last release featuring the original Mothers Of Invention which Frank Zappa disbanded the year prior. Comprised of studio and live tracks, its musical diversity is showcased by incorporating elements ranging from jazz, avant-garde and...
Ball-Hog or Tugboat? is the debut solo album from bass legend Mike Watt (Minutemen, Firehose, Stooges, etc). An all-star group of musicians participated in the recording, including Henry Rollins, members of Sonic Youth, Frank Black, Nirvana's Krist Novoselic and Dave Grohl, Red Hot...
The unique work, Lumpy Gravy, is comprised of orchestral performances recorded at Capitol Studios in 1967. Interspersed with tape collage and dialogue brilliantly edited by Frank Zappa and his razor blade, it went on to become Frank and Gail Zappa’s favorite record of the catalog....
This concept album by Frank Zappa and The Mothers of Invention, Cruising With Ruben & The Jets serves as Frank Zappa’s homage to Doo-Wop and classic R&B, and was conceived as part of a project called No Commercial Potential. The album is re-issued with the original 1968 mix on...
One of the most iconic and infamous titles in Frank Zappa's entire catalog, Joe’s Garage has gone down in history as one of Frank Zappa’s greatest works. This 1979 epic in three acts and three discs, predicted the future of censorship, self described by Frank Zappa as 'A stupid little...
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