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Critic Leonard Feather described Hank Mobley as 'the middleweight champion of the tenor saxophone', meaning that his tone wasn’t as aggressive and thick as John Coltrane or Sonny Rollins, but neither was it as soft and cool as Stan Getz or Lester Young. On this Prestige album, Mobley...
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When Neil Young entered Shangri La Studio with the band Promise Of The Real, there were a lot of images and feelings careening around his soul. The country was heading in a direction Young had never seen, even though up until then he thought he'd seen it all. But something different was...
David Abel, violin, Julie Steinberg, piano. This composition occupies a special place among Beethoven's creations because it shows a unique quality, there is an Olympian elegance, a profound gentleness that pervades the entire work. Nowhere does Beethoven the earth shaker appear. Even...
Violinist Nathan Milstein is backed by The Concert Arts Orchestra conducted by Walter Susskind for this recording of Violin and Orchestra masterpieces by Mozart, Beethoven, Wieniawski, Novacek, Stravinsky, and Saint-Saens. Milstein Masterpieces has, since its first release in 1960, been...
It took a bass player to return vocals to their proper place on Duets, a record that's a model of simplicity. On these tracks you'll find Rob Wasserman's bass, and another voice. The result is a charming collection of duets featuring the bassist joined by special guests Aaron Neville,...
Pianist Hyperion Knight was born and raised in the San Francisco Bay area. He started piano lessons at age 4 and debuted professionally at 14 playing Beethoven's Fourth Piano Concerto. Appropriate to this recording, his dissertation was on Beethoven's 'Waldstein' piano sonata. In 1983...
Dramatic live musical performance and one of the most dynamic recordings ever made will take you and your audio system to the limit. Long time established audiophile demo track Stimela (The Coal Train) is pure emotional energy and dynamic punch rarely captured on tape. Full recordings...
When legendary record producer John Culshaw left Decca in 1967 to become Head of Music at BBC Television, he inaugurated and supervised several series of André Previn's Music Night, in which Previn would talk informally direct to camera and then turn and conduct the London Symphony...
Tristeza On Guitar was the beginning of Baden Powell's nine-year collaboration with producer Joachim-Ernst Berendt and MPS. The repertoire is in no way characterized by sadness, as the title might cause one to believe. It embraces a sublime spectrum ranging from a ritual feel to...
Mark Murphy's prolific six-decade-long artistic career exhibited an inventive stylistic range that covered blues to bebop on through to modern jazz. His 1967 MPS recording lands in the middle of his 'European decade', and it is one of the most beautiful, striking documents of his...
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