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The saxophonist shocked the world in 1959 and took a break, returning in 1962 with this amazing set, named after the Williamsburg Bridge where he practiced by himself. He’s paired here with guitarist Jim Hall, whose communicative lines, along with Rollins’ esteemed solos and melancholy...
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Thelonious Monk's second album for Columbia Records features some of the finest work that Monk ever did in the studio with his 60's trio and quartet. Whether revisiting pop standards or reinventing Monk's own classic compositions, Monk and Charlie Rouse (tenor sax), John Ore (bass), and...
Odyssey is James Blood Ulmer’s signature masterpiece, the purest and most accessible showcase for his bold, genre-clashing guitar vision. With minimal trio accompaniment, only drummer Warren Benbow and violinist Charles Burnham, Ulmer’s guitar is always the meat of the ensemble,...
Science Fiction, recorded in 1971 and released by Columbia, was Ornette Coleman’s creative rebirth, a stunningly inventive and appropriately alien-sounding blast of manic energy. Coleman pulls out all the stops, working with a variety of different lineups and cramming the record full of...
Art Farmer and Jim Hall had a regular group for a time in the mid 60s but (except for one occasion) had not played together since, until this 1978 session. This is an unusual effort for CTI in that it is a quintet set without added horns, strings, or keyboards. Farmer and Hall are...
Freddie Hubbard's first affair with Creed Taylor's CTI label features an all star group with Joe Henderson, Herbie Hancock, Ron Carter, and Lenny White. The album was recorded and engineered at Rudy Van Gelder Studios. Mastered from the Original Master Tapes by Bernie Grundman at 45RPM,...
Originally released by UK label Black Lion specialized in rare gems from US Jazz and Blues legends, this recorded document is a can’t-miss opportunity for collectors and enthusiasts to get closer to the music. Reissued by ORG Music with ultimate audiophile production standards with...
Antonio Carlos Jobim Stone Flower is one of the best albums ever made, the music is absolutely stunning with perfect recording by Rudy Van Gelder and the sumptuous velvety production of Creed Taylor. Recorded in 1970 this is an album that locks you in deep Bossa Nova mood and transports...
Truly a game changer, 1959's The Shape Of Jazz To Come marked the start of a new Jazz Language that would change the evolution of music in a dramatic way. Ornette Coleman abandons chords and scales structure, switches the tenor for the alto sax, and creates a masterpiece with Charlie...
Coleman disapproved of giving up his own voice and viewed standards as concessions to popular taste. As the unapologetic title of the album makes clear, he wanted to be taken on his own terms also making it clear just how important the concept of group improvisation was to Coleman's...
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