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Kurtz was a familiar name with the Philharmonia to the record collector of the 1950s and Yehudi Menuhin was in his prime following a long tradition of celebrated violinists performing the solo violin parts of Swan Lake. Efrem Kurtz had a graceful, baton-less technique that drew a fluid...
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Otto Klemperer built his reputation recording for EMI during the last 20 years of his life, but he was at the vanguard of much of the new music of the 20th century. The Viennese tradition of Beethoven and Brahms was something in which Klemperer was, of course, immersed and Schubert was...
It is a very rare experience indeed to be able to describe a recording as near as can be to absolute perfection from start to finish, but this new issue of Faure’s Requiem truly provides this experience. The highest praise must go to all concerned in the venture, first to David...
Originally issued as a boxed set of all the late Mozart Symphonies, these recordings are generally considered to be the most successful Karajan made of these works and although it is still very much Mozart in the Grand Manner, the performances manage to combine a richness and beauty of...
Emanating from Los Romeros (the guitar quartet of father and three sons), Angel along with his brother Pepe, forged distinguished solo careers and both recorded this popular concerto, Angel contributing to another sonic gem from the golden era of Andre Previn’s reign at the London...
Joint winner of The 1962 International Tchaikovsky Piano competition (with Ashkenazy), John Ogdon was a phenomenal pianist and composer, a gentle giant of a man but a troubled genius plagued by mental and later physical problems. His recorded legacy is considerable but his inaugural...
EMI producer Suvi Raj Grubb not only effectively discovered Barenboim for records but also gave him his first chance to conduct an orchestra on record with this cycle of the complete Mozart Piano Concertos, of which this was the first release. The partnership of Producer and artist gave...
The great Hungarian pianist Annie Fischer was uncomfortable in the recording studio. Without an audience, she felt the resulting performance would be ‘artificially constricting’ since no interpretation was ever ‘finished’ or definitive. Otto Klemperer was a great admirer and no doubt...
Carlo Maria Giulini was an Italian conductor acclaimed for the incandescent spirituality and electrifying dynamism of his music-making, and for the remarkable level of ensemble perfection and balance. In 1955 he had made his American debut with the Chicago Symphony Orchestra, leading to...
The late Sir Charles Mackerras was an extraordinarily versatile musician who could be relied on to give first class accounts of everything from Bach to Britten and was renowned as an interpreter of Mozart and Janacek in particular. This recording used some 26 oboes, creating an ensemble...
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