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Australian musical project Dead Can Dance was formed in 1981 by Lisa Gerrard and Brendan Perry in Melbourne, later relocating to London in May 1982. Music historian Ian McFarlane described Dead Can Dance's style as 'constructed soundscapes of mesmerising grandeur and solemn beauty,...
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We’re Only In It For The Money is one of the most essential rock albums of all time. With its scathing messages, use of parody, Musique Concrète & Dadaist tendencies, there truly is nothing like it. Rolling Stone ranks it among its 500 Greatest Albums Of All Time. This LP reissue is...
Weasels Ripped My Flesh, released in 1970, is the last release featuring the original Mothers Of Invention which Frank Zappa disbanded the year prior. Comprised of studio and live tracks, its musical diversity is showcased by incorporating elements ranging from jazz, avant-garde and...
Genius doesn’t even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer’s migration to rival ABC Paramount. What Atlantic...
Pierre Fournier's recordings of J.S. Bach's Cello Suites have been landmark interpretations ever since their first release in 1961. In 2017 Deutsche Grammophon made these legendary recordings available again for vinyl aficionados and present them in the original Archiv Edition style, in...
A profile of a rugged Dean Martin by the fireplace with a cigarette adorns the jacket of this very interesting concept album. Dean Martin performing as if he were a lounge singer at 1:15 a.m. as the Saturday night crowd is dwindling. His signature tune, 'Everybody Loves Somebody,' is...
Ball-Hog or Tugboat? is the debut solo album from bass legend Mike Watt (Minutemen, Firehose, Stooges, etc). An all-star group of musicians participated in the recording, including Henry Rollins, members of Sonic Youth, Frank Black, Nirvana's Krist Novoselic and Dave Grohl, Red Hot...
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