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Oliver Nelson is remembered primarily as an arranger/conductor. When he started a series of albums for Prestige, however, Nelson was hailed as a versatile leader of small groups and a composer/instrumentalist who could refresh the music's traditional verities while also looking ahead....
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Originally released in November 1960, Ballads By Cobb, as its title suggests, is all slow ballads, putting the emphasis on the warm tone of the Texan tenor. Cobb spent most of the 60s playing back in Texas but he returned to the national scene in 1973 and during his final 15 years...
Booker Ervin's primary legacy is a series of intense albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin's...
This relaxed, rather informal 1963 session, is one of Jimmy Witherspoon’s rarest and was the only time that the great Arkansas shouter recorded with T-Bone Walker, the Texas-born father of electric blues guitar. In an unusual appearance as a sideman, Walker contributed his trademark...
Quiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether illuminating ballads such as 'My Ideal' and 'Alone Together', or investigating the timelessness and intricacies of the blues, the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle...
During the two-year existence of their 'Tough Tenors' quintet, Eddie 'Lockjaw' Davis and Johnny Griffin recorded five albums, this was their first for Prestige, recorded at the legendary Minton's Playhouse in Harlem. The album, also known as The Breakfast Show in an earlier version,...
Since the early 1950s Willie Dixon has been the studio kingpin of Chicago blues, having written, produced, and played bass on countless classics by Muddy Waters, Howlin’ Wolf, Otis Rush, Koko Taylor, and many others. Dixon has always managed to find time away from the studio to work as...
Originally released in 1960, Out There was the second album for Eric Dolphy after his time with Charles Mingus. The album features four Dolphy originals, one of which is a collaborative effort with Mingus. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos...
At the time of this recording (1961), Jimmy Forrest, the St. Louis-born reedman, was a veteran of the Fate Marable, Jay McShann, Andy Kirk, and Duke Ellington bands. Later in his career he starred with Count Basie. Here he leads a quartet of teammates from the combo of 'Sweets' Edison,...
Lightnin’ Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked his amp to fierce proportions when performing for his friends in...
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