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Booker Ervin's series of Song Books for Prestige Records announced the arrival of a jazz orator of gigantic stature. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. But his style went beyond the classic Texas tenor...
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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary...
For nearly a quarter-century, beginning in 1950, tenor saxophonist Gene Ammons was among the brightest stars in the Prestige Records firmament. Whether leading or partaking in one of Prestige’s jam sessions, immersing himself in the organ-dominated blues and gospel grooves that in the...
When Arnett Cobb recorded this album in 1957 he was in the process of rebounding from a serious automobile accident that broke both his legs. Cobb's indomitable spirit shines through in these tracks, whether he is calmly preaching, grooving down the 'Lonesome Road', or roaring through...
Soultrane (recorded just three days after Milestones with Miles Davis) is a showcase for Coltrane's sheets of sound style, the term itself coined by critic Ira Gitler in this album's liner notes. Also featured is a long reading of Billy Eckstine's ballad standard 'I Want to Talk About...
Here is one of the jazz giants of all time, right on the edge of greatness. Between the spring of 1957 and the winter of 1958, during which time Lush Life was recorded, John Coltrane was developing his music in giant steps. Lush Life assembled from three sessions at Rudy Van Gelder...
One of the most important recordings of Sonny Rollins career, Saxophone Colossus from 1956 was the masterpiece that brought him full attention from critics and public alike as one of the major figures of the Tenor Sax elite. The contributions of Tommy Flanagan, Doug Watkins and Max...
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