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Out of Macon, Georgia, they looked like most young, hopeful bands trying to make it as the 60s became the 70s. They missed the British Invasion-triggered blues revival by many years, yet they sounded like no other group, their youthfulness belied by virtuosic abilities and interlocking...
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A true masterpiece, Jerry Garcia and David Grisman was produced as a natural sounding acoustic album, with very realistic, warm, close-up and immersive sound quality. Putting distinctive rustic spins on pop standards, blues classics, and folk staples, the kindred musical spirits’...
While largely unknown to many, A Distortion Of Love from 1992 signaled the beginning of Barber’s unfettered creativity. On this album her individuality manifests on a surprisingly eerie rendition of the standard 'Summertime' and subsequent 'Subway Station No. 5', a lengthy piece adorned...
Miles Davis’ move into full-on fusion starts here, and what a start! Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, Miles gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance...
Miles In The Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the...
Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums devised by Miles Davis' legendary second quintet, the 1967 magnum opus mesmerizes with instrumental colors, subdued musings, and subtle details. These crucial characteristics...
Released in 1968 the debut studio album by The Band presents a distinctive blend of country, rock, folk, classical, R&B, and soul. The music was composed mostly in Big Pink, a house shared by band members in New York. The album was recorded in studios in New York and Los Angeles...
Nefertiti, mostly written by Wayne Shorter and Herbie Hancock, was the last acoustic record made by Miles Davis classic second quintet. Released after Sorcerer it shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory...
A wonderful, introspective, hypnotic session where true musical magic was made. Bill Evans and Jim Hall were a match made in heaven, both with complex and advanced music styles, and it was the perfect setting for Bill Evans return on one of his first recordings after the premature death...
Four & More provides a rare insight into Miles Davis performing in the mid 60's spontaneously loose onstage, removed from the confines of the studio where he often led thematic concept based sessions, playing some stellar material that Miles would soon leave behind for a new...
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