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Anticipating the judgment of history is no doubt presumptuous, but to hear Minoru Nojima is to find irresistible the idea that here is a pianist destined to join the pantheon of keyboard immortals. Nojima has a technique that invites comparison with the most dazzling of the great piano...
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1980's Once In Every Life served as quintessential romantic balladeer Johnny Hartman's second-to-last album cut at the age of 57 with a smooth and sophisticated quintet. Hartman's baritone voice sounds as rich and mellow as ever and jazz lover Clint Eastwood even used four tracks from...
USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the...
This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe, was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and Montoliu understood each other deeply, and their comfort with on...
The 10,000 Maniacs were at their peak when group founder and scintillating vocalist Natalie Merchant announced that she was leaving the band to pursue a solo career. It took her four months to record Tigerlily, a gorgeously detailed folk-rock debut that became a permanent fixture on the...
They came from the land down under and they conquered the charts like no band before or since, with a debut that shattered records by staying for 15 consecutive weeks at the pole position on the Billboard Top 100. They were Men at Work, a quirky bunch led by a Scottish-born vocalist...
Engineered by Alan Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, I Robot from 1977 remains a true audiophile showcase with extended frequency range and impressive dynamic range. Inspired by Isaac Asimov stories, I Robot delves into themes of...
Since the early 1950s Willie Dixon has been the studio kingpin of Chicago blues, having written, produced, and played bass on countless classics by Muddy Waters, Howlin’ Wolf, Otis Rush, Koko Taylor, and many others. Dixon has always managed to find time away from the studio to work as...
Weezer doesn’t look like rock stars, its amusing name doesn’t evoke stadium-heights glories, and the group’s lyrics don’t exude confidence or flash. For precisely these reasons, and the fact that the band’s songs on its self-titled debut are the stuff of air-guitar dreams and...
Rickie Lee Jones's image on the cover of her self-titled debut says as much about the singer-songwriter as it does the music within the grooves. Uninterested in coloring within the lines, Jones steps out, a dreamer in the post-punk age, an adventurous drifter seemingly deaf to the...
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