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Miles Davis, Herbie Hancock, Ron Carter, Tony Williams and other stars shine brighter than ever on this remaster by Ryan K. Smith at Sterling Sound from the Original Analog Master Tapes and pressed on 180g vinyl at QRP. Sounding with full dynamics, visceral transient and extended...
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Booker Ervin's primary legacy is a series of intense albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin's...
Recorded during his peak era, I Wanna Be Around continues Tony Bennett's upward trajectory as he nestles into a superb batch of heartfelt ballads, softly swinging pop, and frisky bossa nova with the kind of charm, control, and coolness reserved for a legend. This 1963 set is a must have...
The Soulful Moods of Gene Ammons finds 'Jug' and company concentrating their efforts on the intrinsic beauty of the ballad. In this 1963 release Ammons rich tenor tone plays with Patti Brown (piano), George Duvivier (bass) and Ed Shaughnessy (drums). Ammons' reputation as a master...
This session is a model of the emotionally intense ballad programs featured on Prestige's Moodsville subsidiary. The great Kenny Burrell receives a major assist from saxophone patriarch Coleman Hawkins and his rhythm section of the time and with percussionist Ray Barretto. The choice of...
Coleman Hawkins recorded three sessions for Impulse Records in the early to mid '60s. Of the three, Today And Now is the most compelling. The unusual choice of repertoire is what sets this album apart. Versions of the traditional song 'Go Li'l Liza' and the fairly obscure Quincy Jones...
Sir John Barbirolli was a personal friend of Sir Edward Elgar and having been a cellist in the orchestra at the premiere of Elgar's Cello Concerto in 1919, he enjoyed a close rapport with the composer, winning his praise for his performances of the Introduction and Allegro for Strings...
Lightnin’ Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked his amp to fierce proportions when performing for his friends in...
The great Hungarian pianist Annie Fischer was uncomfortable in the recording studio. Without an audience, she felt the resulting performance would be ‘artificially constricting’ since no interpretation was ever ‘finished’ or definitive. Otto Klemperer was a great admirer and no doubt...
Maazel's 1962 Philharmonia recording of Strauss's Also Sprach Zarathustra and Till Eulenspiegel is a stunner performance, both musically and sonically, another fitting testament to the late Lorin Maazel's long and distinguished career as one of the world's greatest conductors. Cut at...
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