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The Jazz Dispensary Top Shelf Series is a reissue program focused on delivering quality music with the best possible listening experience. Highlighting complete original albums from the Jazz Dispensary vaults with a focus on rare or previously unavailable titles, each album is expertly...
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Critic Leonard Feather described Hank Mobley as 'the middleweight champion of the tenor saxophone', meaning that his tone wasn’t as aggressive and thick as John Coltrane or Sonny Rollins, but neither was it as soft and cool as Stan Getz or Lester Young. On this Prestige album, Mobley...
David Abel, violin, Julie Steinberg, piano. This composition occupies a special place among Beethoven's creations because it shows a unique quality, there is an Olympian elegance, a profound gentleness that pervades the entire work. Nowhere does Beethoven the earth shaker appear. Even...
Violinist Nathan Milstein is backed by The Concert Arts Orchestra conducted by Walter Susskind for this recording of Violin and Orchestra masterpieces by Mozart, Beethoven, Wieniawski, Novacek, Stravinsky, and Saint-Saens. Milstein Masterpieces has, since its first release in 1960, been...
It took a bass player to return vocals to their proper place on Duets, a record that's a model of simplicity. On these tracks you'll find Rob Wasserman's bass, and another voice. The result is a charming collection of duets featuring the bassist joined by special guests Aaron Neville,...
Pianist Hyperion Knight was born and raised in the San Francisco Bay area. He started piano lessons at age 4 and debuted professionally at 14 playing Beethoven's Fourth Piano Concerto. Appropriate to this recording, his dissertation was on Beethoven's 'Waldstein' piano sonata. In 1983...
After a double Oscar win for Breakfast At Tiffany's, Henry Mancini produced this score for Hatari featuring John Wayne. This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very...
Crying was the second Roy Orbison album issued by the Monument label in 1962, and became Orbison's chart breakthrough. The album name comes from the 1961 hit song that in 2002 was honored with a Grammy Hall of Fame Award. With songwriting partner Joe Melson and moving to Monument...
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