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One of the best U.K. Living Stereo, with great dynamics and lively performances. A Kingsway Hall recording with Jean Martinon conducting the London Symphony Orchestra in a performance of Borodin's Symphony No. 2. This notable recording also features Rimsky-Korsakov's Capriccio Espagnole...
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The Band’s 1972 incredible live album Rock of Ages is the best representation of a live Band album, despite The Last Waltz popularity. Recorded at the tail end of the group’s Cahoots tour and over the course of four nights at New York’s Academy of Music at the end of December 1971, the...
In 1983 the guitar super trio of John McLaughlin, Al Di Meola and Paco de Lucía reunited for another set of acoustic guitar trios. Unlike their first album, the phenomenal live acoustic performance Friday Night in San Francisco, this masterpiece consists entirely of studio sessions....
Anyone believing in the old adage that science and the fine arts do not mix must rethink his ideas when he becomes acquainted with Alexander Borodin’s biography and his music. The Russian professor of chemistry constantly stole time from his lectures in order to compose. Brilliant...
Singer Rosa Passos and bassist Ron Carter have recreated Brazilian music in their own image. Entre Amigos is a front row seat right by Ron Carter's big, woody upright bass as he uses his singing sound, big percussive beat and uncanny harmonic sensibility to complement the come-hither...
This recording dates from the beginning of André Previn's golden era at the helm of the London Symphony Orchestra and has been newly cut at EMI's Abbey Road Studios from the original stereo EMI Master Tapes. It was recorded at London's famous Kingsway Hall venue on 5 & 6 May 1972...
The legendary 1954 Fritz Reiner with Chicago Symphony Orchestra performance of a Strauss war horse. Recorded directly to 2-track analog by Jack Pfeiffer, the original session tapes were used in mastering for this LP in the Analogue Productions reissue series. Among the very first Living...
Elvin Jones was nearing the end of his long stay with John Coltrane when he led these sessions in 1965, and while the style is small-group post-bop, the music is very different from the thick textures of the Coltrane quartet. Charlie Mariano soars overhead on a series of lyrical...
The opening instrumental to Bossanova makes it clear that the Pixies weren't about to take the same approach on their major-label debut as they did on their initial standout efforts, 1987's Surfer Rosa and 1989's Doolittle. More straightforward, linear, fluid, subtle, and dreamy,...
A 1961 set of standards heavy on the ballads, Nice An' Cool is prime Gene Ammons. In front of a great piano-bass-drums trio (Richard Wyands, Doug Watkins, and J.C. Heard), Ammons' brilliant soulful tenor saxophone really stretches out on the familiar melodies, but the relatively concise...
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