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The best albums from legendary Blue Note Records jazz catalogue get impeccable audiophile treatment by Analogue Productions, cut at 45rpm for ultimate sound quality by equaly legendary mastering engineers Kevin Gray and Steve Hoffman at AcousTech, preserving all the analog glory of the...
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Ike Quebec's timeless, big-toned tenor was a frequent visitor to Rudy Van Gelder's studio in the early sixties. But this recording from December 1961 with spare, soulful backing from Grant Green, Paul Chambers and Philly Joe Jones is his masterpiece. The leaner setting works perfectly,...
The Sidewinder, Lee Morgan's 24-bar blues number with its infectious bass line and backbeat, instantly became one of the most popular pieces in modern jazz history. Morgan didn't stop there, however, as every track on this classic album is a true gem. In fine support of Morgan on The...
Kenny Dorham's death at the age of 48 robbed the world of one of the finest trumpet players and composers jazz has ever seen. This 1961 recording features one of the most perfect ensembles in modern jazz, with Hank Mobley, Kenny Drew, Paul Chambers and 'Philly' Joe Jones. Whistle Stop...
Dexter Gordon connects immediately with the sublime rhythm section of Kenny Drew, Paul Chambers and Philly Joe Jones on this, his second Blue Note album. The material ranges from Drew originals to pieces from Gordon’s score for the Los Angeles production of 'The Connection', to stunning...
In Hootin' 'N Tootin', the listener is afforded the opportunity of hearing members of a famous orchestra noted for its smart arrangements along the rhythm and blues influence. The moods expressed are in the 'down home' and 'down to Earth' groove. Under the leadership of Fred Jackson,...
Page One introduced the jazz world to the unusually mature and original young tenor saxophonist, Joe Henderson. 'Recorda Me' and 'Blue Bossa' have become jazz classics for their unique mix of Brazilian rhythms and hard bop muscle. Featuring Kenny Dorham, Butch Warren, McCoy Tyner and...
When Cannonball Adderley scheduled the 1958 recording of his only Blue Note LP, he called on his old employer Miles Davis from their days as quintet members on Columbia. The reunion resulted in one of the greatest and most revered Jazz LPs ever with the quintet delivering beautiful...
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