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Lightnin’ Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked his amp to fierce proportions when performing for his friends in...
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Booker Ervin's series of Song Books for Prestige Records announced the arrival of a jazz orator of gigantic stature. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. But his style went beyond the classic Texas tenor...
One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary...
For nearly a quarter-century, beginning in 1950, tenor saxophonist Gene Ammons was among the brightest stars in the Prestige Records firmament. Whether leading or partaking in one of Prestige’s jam sessions, immersing himself in the organ-dominated blues and gospel grooves that in the...
When Arnett Cobb recorded this album in 1957 he was in the process of rebounding from a serious automobile accident that broke both his legs. Cobb's indomitable spirit shines through in these tracks, whether he is calmly preaching, grooving down the 'Lonesome Road', or roaring through...
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