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Oscar Peterson entertained the world with his mastery over the piano for over 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, releasing over 200 recordings and winning 8 Grammy Awards. The quality of these sessions and the extremely high audio production...
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A full-on electric jammer from Alphonse Mouzon, cut in the frenetic style of his Blue Note sides, but given an extra electric MPS twist! The lineup includes a host of strong European fusion players, including Miroslav Vitous on bass, Philip Catherine on guitars, and Joachim Kuhn on...
In 1971 George Duke, having just recently done his time with the Mothers of Invention, was engaged by the Cannonball Adderley Quintet. Beginning in April of that year, Duke made two recordings over a short timespan that on their release in 1973 as a double LP (against the desire of the...
With its intensive quartet, this 1975 recording again mirrors how far Duke, by his own admission, had moved away from the 'smug and overly serious jazz musician' and towards a master of fusion. With Santana drummer Leon 'Ndugu' Chancler, bassist Alphonso 'Slim' Johnson, and the...
When Count Basie entered the studio in 1970 with his 17-piece big band to record High Voltage, he ushered in the last full decade as bandleader of his Orchestra. The Orchestra had left its imprint on the 60's by recording with the likes of Frank Sinatra and Ella Fitzgerald, and there...
It comes as no surprise that Oscar Peterson’s orchestral records are so few and far between. Predictably, these records manage to mysteriously escape the notice of critics and discographers too. For Motions & Emotions, his 1969 orchestral recording for the MPS label, Oscar Peterson...
The music on Call had little in common with the bebop and cool jazz influences of the old Naura quintet. Michael Naura had assimilated the contemporary sounds of free jazz and rock as well as the collective playing styles of the younger generation of musicians. His first album in eight...
Tristeza On Guitar was the beginning of Baden Powell's nine-year collaboration with producer Joachim-Ernst Berendt and MPS. The repertoire is in no way characterized by sadness, as the title might cause one to believe. It embraces a sublime spectrum ranging from a ritual feel to...
Mark Murphy's prolific six-decade-long artistic career exhibited an inventive stylistic range that covered blues to bebop on through to modern jazz. His 1967 MPS recording lands in the middle of his 'European decade', and it is one of the most beautiful, striking documents of his...
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