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1980's Once In Every Life served as quintessential romantic balladeer Johnny Hartman's second-to-last album cut at the age of 57 with a smooth and sophisticated quintet. Hartman's baritone voice sounds as rich and mellow as ever and jazz lover Clint Eastwood even used four tracks from...
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USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the...
This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe, was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and Montoliu understood each other deeply, and their comfort with on...
King Crimson spent 1970 as a studio band recording the two albums In the Wake of Poseidon and Lizard. Though working with a transitional lineup the album sounds remarkably cohesive and shares some similarities in approach and sound to their debut In the Court of the Crimson King, and...
With the line-up change and touring pressures, King Crimson were short of newly written material to record for this album. Having increased their level of onstage improvisation while touring, they used new compositions performed in concert for this 1974 released album, in some cases...
One of the band's most influential and best-selling albums, 'Red' returns to the vinyl format newly cut from masters approved by Robert Fripp, pressed on 200 gram super-heavyweight vinyl in a reprint of the original cover. Released in 1974, 'Red' remains a remarkably powerful document...
Lizard was King Crimson's third studio album and second recording of 1970. It was also the first Crimson album for which Robert Fripp provided all of the music. The return of 'Lizard' to the vinyl format is a new cut from masters approved by Robert Fripp, pressed on 200g Super...
Following the dissolution of the Islands line-up Robert Fripp decided to assemble a new band to perform the sort of music he’d been hearing in his head over recent months. In the Summer of 1972 the line-up of Fripp together with Bill Bruford, John Wetton, Jamie Muir and relative...
Recorded in 1969, King Crimson In The Court Of The Crimson King stands as one of the defining albums of British rock music and one of the finest debut albums of all time. Described at the time as 'an uncanny masterpiece' by Pete Townshend, the album has achieved legendary status over...
Ray Charles teams up with jazz standout Betty Carter on this 1961 nightclub set, arranged and conducted by Marty Paich and produced by Sid Feller. Alternating between big band R&B and sweet balladic soul, the rapport between the two iconic vocalists remains seductive and unique in...
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