Originally released by UK label Black Lion specialized in rare gems from US Jazz and Blues legends, this recorded document is a can’t-miss opportunity for collectors and enthusiasts to get closer to the music. Reissued by ORG Music with ultimate audiophile production standards with Steve Hoffman and Bernie Grundman at the helm, resulting in truly spectacular preservation of the original sound.

• Limited Edition
• Black Lion Essential Reissue Series
• Audiophile 180 Gram Vinyl
• Cut by Chris Bellman
• Mastered from Original Mono Master Tapes
• Pressed at Pallas in Germany
• EQ Notes and Curation by Steve Hoffman & Bernie Grundman!
• Exclusive cover artwork

Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, this recorded document is a can’t-miss opportunity for collectors and enthusiasts to get closer to the music. Reissued by ORG Music, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record’s existence.

Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180g LP was curated by legendary engineer Steve Hoffman and eq’d by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. This reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.

Landmark 1946 Historical Release Documents Miles Davis’ First-Known Instance of Open-Voiced Trumpet Playing at One of His Earliest Sessions

One of Miles Davis’ earliest recording sessions.

The very first known instance of the famed trumpeter playing in an “open” style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical importance and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it’s got that elusive Holy Grail quality.

Musicians:

Miles Davis, trumpet
Gene Ammons, tenor saxophone
Connie Wainwright, guitar
Linton Garner, piano
Tommy Potter, bass
Art Blakey, drums
Earl Coleman, vocals
Ann Baker, vocals

Track Listing:

01. Don't Sing Me The Blues (Take 1) - 2:57
02. Don't Sing Me The Blues (Take 2) - 2:56
03. I've Always Got The Blues (Take 1 Incomplete) - 2:19
04. I've Always Got The Blues (Take 2) - 3:12
05. I've Always Got The Blues (Take 3) - 2:53
06. Don't Explain To Me Baby (Take 1) - 3:6
07. Don't Explain To Me Baby (Take 2) - 2:55
08. Don't Explain To Me Baby (Take 3) - 2:58
09. Don't Explain To Me Baby (Take 4) - 2:56
10. Baby, Won't You Make Up Your Mind (Take 1) - 2:59
11. Baby, Won't You Make Up Your Mind (Take 2) - 2:59
12. Baby, Won't You Make Up Your Mind (Take 3) - 3:12

Click here to listen to samples on YouTube.com ♫