Analogue Productions and Quality Record Pressings are proud to present The Doors reissue series, the six studio albums featured on Deluxe Gatefold Covers with 2LP 180 Gram Audiophile Vinyl, cut at 45rpm. Analog mastering by Doug Sax and overseen by Bruce Botnick, The Doors legendary producer/engineer, these great albums never sounded this good before, glorious full analog sound!

Rolling Stone 500 Greatest Albums of All Time Rated 409/500

• Limited Edition
• 2LP 45rpm 180 Gram Audiophile Vinyl
• Pressed at Quality Record Pressings, USA
• Mastered by Doug Sax Using All-Tube System
• Cut from the Original Analog Master Tapes
• Overseen by The Doors engineer Bruce Botnick
• Deluxe Gatefold Cover

Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 180-gram vinyl, pressed at 45 rpm. All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.

A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby! This is no time to wallow in the mire. The Doors are on Analogue Productions!

Technical notes about the recording process by The Doors producer/engineer Bruce Botnick:

"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.

"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.

"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters." - Bruce Botnick, July 2012

Sinister, beguiling ... these were words reviewers used to describe The Door’s melodic psychedelic-era genre-blending sound. A mix of blues, Eastern music, classical and pop fueled hits such as the bluesy “Love Me Two Times” and “People Are Strange” from The Door’s debut follow-up, Strange Days.

Strange Days featured a smattering of edgy recitations (“Horse Latitudes”) and smoky rockers (“My Eyes Have Seen You”). Morrison’s rallying cry “We want the world, and we want it now!” from the ambitious extended track, “When the Music’s Over,” marked a touchstone for that era’s counterculture movement. Rolling Stone described Strange Days as having “all the power and energy of the first LP, but (it’s) more subtle, more intricate and much more effective.”

Musicians:

Jim Morrison, vocals
Ray Manzarek, organ, piano, bass
Robby Krieger, guitar
John Densmore, drums

Douglas Lubahn, bass

Track Listing:

LP 1 Side A
1. Strange Days
2. You’re Lost Little Girl
3. Love Me Two Times

LP 1 Side B
1. Unhappy Girl
2. Horse Latitudes
3. Moonlight Drive

LP 2 Side C
1. People Are Strange
2. My Eyes Have Seen You
3. I Can’t See Your Face In My Mind

LP 2 Side D
1. When The Music’s Over

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