This sultry, minor key music with a Brazilian tinge seems inspired by Ike Quebec, who was suffering from advanced cancer that would claim his life three months later. But here is big-toned, impassioned tenor is in tact. Quebec's take on the bossa nova craze that exploded that year (1962) is more muscular than Stan Getz's and doesn't rely on the familiar Jobim and Gilberto songs of the day.

• Limited Edition
• Mastered from the Original Analog Master Tapes
• Cut by Kevin Gray and Steve Hoffman
• Mastered at AcousTech
• Two 180 Gram Virgin Vinyl LPs at 45rpm
• Pressed by QRP USA

"…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands…Back home a month later, I unpack some test pressings Chad Kassem has sent me…I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud." – Jason Victor Serinus, Stereophile, April 2008

This program of sultry, minor key music with a Brazilian tinge seems inspired by Ike Quebec, who was suffering from advanced cancer that would claim his life three months later. But here is big-toned, impassioned tenor is in tact. Quebec's take on the bossa nova craze that explored that year (1962) is more muscular than Stan Getz's and doesn't rely on the familiar Jobim and Gilberto songs of the day. He and Kenny Burrell solo on the sly, subtle rhythms of Wendell Marshall, Willie Bobo and Garvin Masseaux.

"This was veteran tenor saxophonist Ike Quebec's final recording as a leader. It was cut in October 1962 and produced by Alfred Lion a little more than three months before the saxophonist's death. Bossa Nova Soul Samba was recorded and released during the bossa nova craze, as Brazilian music was first brought to the attention of pop listeners via Stan Getz and Charlie Byrd's smash hit with Tom Jobim's "Desafinado," on their Jazz Samba record for Verve in February. After that, seemingly everyone was making a bossa nova record. Quebec's effort is a bit unusual in that none of the musicians (guitarist Kenny Burrell, bassist Wendell Marshall, drummer Willie Bobo, and percussionist Garvin Masseaux) was associated with Brazilian (as opposed to Afro-Cuban) jazz before this, and that there isn't a single tune written by Jobim on the set. Quebec emphasizes warm, long tones (reminiscent of Coleman Hawkins in a romantic fashion), and his sidemen play light and appealing but nonetheless authoritative bossa rhythms. Standout tracks here include Burrell's own "Loie," which opens the disc, "Goin' Home," based on a tune by classical composer Antonin Dvorák and arranged by Quebec -- he does the same with "Liebestraum" two tunes later -- and the stunning "Favela," by the crack composing team of Joraci Camargo and Heckel Tavares. The result is high-quality melodic Brazilian dance music with Burrell shining in particular." - Scott Yanow, All Music

Musicians:

Ike Quebec, tenor sax
Kenny Burrell, guitar
Wendell Marshal, bass
Willie Bobo, drums
Garvin Masseaux, chekere

Track Listing:

01. Loie
02. Lloro Tu Despedida
03. Goin' Home
04. Me 'N You
05. Liebestraum
06. Shu Shu
07. Blue Samba
08. Favela
09. Linda Flor

Click here to listen to samples on YouTube.com ♫