Blue Note Records Tone Poet Audiophile Vinyl Reissues. Joe Harley co-founder of the acclaimed Music Matters Jazz audiophile vinyl label is the producer of this new series, handpicked titles mastered from the original master tapes on 180g Vinyl in deluxe covers. Mastering is done by Kevin Gray at Cohearent Audio and vinyl is pressed at Record Technology Incorporated, RTI in the USA.

• Tone Poet Audiophile Vinyl Reissue Series
• Blue Note 80th Anniversary 
• All Analog Mastering
• Cut by Kevin Gray at Cohearent Audio
• Mastered From Original Analog Master Tapes
• Reissue supervised by Joe Harley (Music Matters)
• 180 Gram Audiophile Vinyl Pressed at RTI USA
• Deluxe Gatefold Cover

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

Oblique is one of only two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note (the classic Happenings being the other). Both albums featured the seminal pianist Herbie Hancock and drum master Joe Chambers, with the only variable in the line-up here being bassist Albert Stinson. Hutcherson's breezy opener "‘Til Then," Hancock's tremendous "Theme From Blow Up," and Chambers' adventurous "Oblique" are standouts of a session that, taken as a whole, is an incredible journey from hard bop grooves to exploratory sonic tone poems. Recorded in 1967, the album wasn't first released until 1979.

Musicians:

Bobby Hutcherson, vibraphone
Herbie Hancock, piano
Albert Stinson, bass
Joe Chambers, drums

Track Listing:

1. ’Til Then
2. My Joy
3. Theme From Blow-Up
4. Subtle Neptune
5. Oblique
6. Bi-Sectional

Click here to listen to samples on YouTube.com ♫