Blue Note Records Tone Poet Audiophile Vinyl Reissues. Joe Harley co-founder of the acclaimed Music Matters Jazz audiophile vinyl label is the producer of this new series, handpicked titles mastered from the original master tapes on 180g Vinyl in deluxe covers. Mastering is done by Kevin Gray at Cohearent Audio and vinyl is pressed at Record Technology Incorporated, RTI in the USA.

• Tone Poet Audiophile Vinyl Reissue Series
• All Analog Mastering
• Cut by Kevin Gray at Cohearent Audio
• Mastered From Original Analog Master Tapes
• Reissue supervised by Joe Harley (Music Matters)
• 180 Gram Audiophile Vinyl Pressed at RTI USA
• Deluxe Cover

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

The winds of change were blowing through Wayne Shorter’s life and career in 1970. The saxophonist had just left Miles Davis’ group and was soon to form his collective fusion band Weather Report. His music was evolving too as he began to delve into his own unique fusion explorations on his previous two Blue Note recordings Super Nova and Moto Grosso Feio. Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter’s early Blue Note period. The album was a tribute to his daughter Iska—who had been born the year before with severe brain damage—with four immersive Shorter compositions portraying a variety of moods: “Wind,” “Storm,” “Calm,” and “Joy.”

The album’s centerpiece is an extended version of Bobby Thomas’ Brazilian influenced piece “De Pois do Amor, o Vazio” (After Love, Emptiness), foreshadowing Shorter’s growing interest in Brazilian music which he would explore further in the years to come. Shorter’s soprano and tenor saxophones are the lone horns heard on the album which featured Gene Bertoncini on guitar, David Friedman on vibraphone and marimba, Ron Carter and Cecil McBee on bass, and Alphonse Mouzon, Billy Hart, and Frank Cuomo contributing drums and percussion.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

Musicians:

Wayne Shorter - tenor & soprano sax
Dave Friedman - vibes, marimba
Gene Bertoncini - guitar
Ron Carter - bass
Cecil McBee - bass
Billy Hart - drums
Al Mouzon - drums
Frank Cuomo - percussion, drums

Track Listing:

A1. Wind
A2. Storm
A3. Calm
B1. De Pois Do Amour, O Vazio (After Love, Emptiness)
B2. Joy

Click here to listen to samples on YouTube.com ♫