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Carole King The Carnegie Hall Concert 1971 2LP 180 Gram Vinyl Numbered Limited Edition MoFi MFSL USA

Carole King The Carnegie Hall Concert 1971 2LP 180 Gram Vinyl Numbered Limited Edition MoFi MFSL USA Maximize
Artist: Carole King
Title: The Carnegie Hall Concert
Catalog Number: MFSL 2-351
Label: Ode Records
Reissued by: Mobile Fidelity Sound Lab
Barcode: 821797235112
Original release year: 1996
Reissue year: 2011
Number of discs: 2
Revolutions per minute: 33⅓ rpm
Disc size: 12"
Vinyl Weight Grade: 180gr
Limited Edition: Yes
Numbered Edition: Yes
Total Item Weight: 840gr
Pressing country: USA
For Market Release in: USA
Added to catalog on: December 4, 2015
Collection: MFSL Original Master Recording
Note: Never eligible for any further discounts
Vinyl Gourmet Club: Yes


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Unit Price: 49,10 €

Reference: MF332351GF

Availability: Coming Soon




 

Every so often, a from-the-vault release captures our hearts, minds, and attention in such a way that it’s impossible not to tell all family, friends, and neighbors about its existence. Originally issued to commemorate the 25th anniversary of Tapestry, Carole King’s The Carnegie Hall Concert: June 18, 1971 is such a record, a fortunate document of an absolutely magical period in the singer-songwriter’s legendary career and a revealing look at the then-stagefright artist turning in a commanding performance just as she was becoming a superstar.

 

 

  • Limited Edition
  • Numbered Edition
  • 2LP 180 Gram High Definition Vinyl pressed at RTI USA
  • Half-Speed mastering on MFSL Gain 2 Ultra Analog System
  • Mastered by Mobile Fidelity Sound Lab
  • Mastered from the Original Analog Master Tapes
  • Mastered by Krieg Wunderlich and Rob LoVerde
  • Special Static Free & Dust Free Inner Sleeves
  • Deluxe Gatefold Cover

 

 

From-the-Vault Live Release Captures Iconic Singer-Songwriter at Height of Her Breakout Period. Half-Speed Mastered from the Original Tapes: Intimate Sonics Make It Seem Like King is Sitting Five Feet Away. Stripped-Down Songs Teem With Warmth, Nuance, Emotion; James Taylor Also Appears

Half-speed mastered from the original tapes, Mobile Fidelity’s numbered limited-edition 180g LP of this compelling concert album brims with liveliness, depth, dimension, detail, and transparency. The nuances of King’s spare performances and warm vocals emanate as if she’s sitting five feet away. Stripped down even further than they are on the studio albums, songs breathe with palpable earnestness and emotion, the subtle differences from their more polished studio brethren allowing listeners an insight into King’s creative genius.

At the time of its recording, King still suffered from shyness—and who could blame her? She had been accustomed to penning lyrics for other artists and sitting behind a desk in the Brill Building. Only recently did King strike out on her own and enter the public realm. This set encapsulates this contrast in thrilling fashion. Disarmingly genuine and daringly honest, The Carnegie Hall Concert: June 18, 1971 benefits from the inclusion of King’s nervous between-song banter that exposes who she is as a person and performer. Most importantly, despite her anxiety, she turns out stirring renditions of tunes from 1970’s Writer, Tapestry, and even a few from the yet-unreleased Music (also available on 180g LP from Mobile Fidelity).

Her control is demonstrated on the record’s six opening cuts, which feature King alone at her piano. For the remainder of the program, she’s accompanied by guitarist Danny Kortchman, bassist Charles Larkey, and a string quartet, which enter and exit according to arrangement. As such, the concert is profoundly intimate and personal, an “unplugged” session that predated the use of the term by nearly two decades. Longtime collaborator James Taylor joins her for a memorable medley of some of her biggest hits—“Will You Love Me Tomorrow/Some Kind of Wonderful/Up on the Roof”—the chemistry evident of why the duo’s 2010 tour was one of the most in-demand outings in years.

Mobile Fidelity’s remastered sound ties everything together and is what makes this release extra special. By going to the original source, the audiophile label considerably opens up the sonic perspectives, revealing the spacious acoustics of the famed venue that act in concert with King’s music. In particular, the songs from Writer benefit from the no-nonsense production. You can literally picture King’s piano beside her, and her voice—sincere, tender, melodic—is rich, full-bodied, and penetrating. Listeners can even hear it crack on occasion, the results a consequence of her nerves. Unpolished and non-synthetic, the performance is better for it.

No, they don’t make albums like this anymore. The Carnegie Hall Concert: June 18, 1971 as real as it gets. And so is the sound.


Track Listing:

01. "I Feel the Earth Move" – 3:36
02. "Home Again" – 2:45
03. "After All This Time" – 3:19
04. "Child of Mine" (Gerry Goffin, King) – 4:03
05. "Carry Your Load" – 2:59
06. "No Easy Way Down" – (Goffin, King) 5:32
07. "Song of Long Ago" – 3:24
08. "Snow Queen" (Goffin, King) – 3:51
09. "Smackwater Jack" (Goffin, King) – 3:49
10. "So Far Away" – 4:12
11. "It's Too Late" (King, Toni Stern) – 4:22
12. "Eventually" (Goffin, King) – 4:38
13. "Way over Yonder" – 4:13
14. "Beautiful" – 2:39
15. "You've Got a Friend" [Performed with James Taylor] – 6:25
16. "Will You Still Love Me Tomorrow?"/"Some Kind of Wonderful"/"Up on the Roof" [medley; performed with James Taylor] (Goffin, King) – 7:46
17. "(You Make Me Feel Like) A Natural Woman" (Goffin, King, Jerry Wexler) – 4:09

Click here to listen to samples on AllMusic.com


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