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Pixies Trompe Le Monde LP Vinil 180gr Mobile Fidelity Sound Lab Edição Limitada Numerada MoFi MFSL USA

Artista: Pixies
Título: Trompe Le Monde
Número de Catálogo: MFSL 1-364
Editora: 4AD
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797136419
Ano da edição original: 1991
Ano da reedição: 2013
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 529gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 22 Agosto, 2017
Colecção: MFSL Original Master Recording
Nota: Elegibilidade Limitada para Descontos
Vinyl Gourmet Club: Não


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Preço Unitário: 37,47 €

Referência: MF331364GF

Disponibilidade: Fora de stock




 

Os Pixies conseguiram verdadeiro sucesso comercial quando editaram Trompe Le Monde em Setembro de 1991. Uma alteração de maré global nos gostos musicais poulares, que a banda ajudou a criar, estava a varrer o mundo, e o quarteto de Boston estava preparado para liderar a mudança, com este seu quarto album melodioso e electrizante.

 

 

  • Edição Limitada 
  • Edição Numerada
  • Vinil 180 Gramas de Alta Definição prensado na RTI
  • Masterização half-speed no Gain 2 Ultra Analog System
  • Masterização Mobile Fidelity Sound Lab
  • Corte a partir das Master Tapes Stereo Originais
  • Masterizado por Krieg Wunderlich
  • Capas interiores especiais antiestáticas
  • Capa Gatefold Deluxe

 

 

Pixies' Pre-Reunion Swan Song Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, and Eminent Tunefulness. Mastered from the Original Master Tapes: Restoration Turns 1991 Album Into a Sonic Blockbuster. Frank Black-Led Set Includes Contagious Cover of The Jesus and Mary Chain’s “Head On”.


The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde in September 1991. A sea change in popular music tastes that the band helped initiate began to sweep the world. And the Boston quartet seemed prepared to lead the way, with this, its eminently tuneful fourth record, jam-packed with crafty hooks, prickly tones, catchy elements, outer-space atmospherics, electrically charged energy, and delightfully quirky lyrics.


As it stands, Trompe le Monde takes its place as one of the finest pre-reunion swan songs ever recorded. If the Pixies wouldn’t have broken up right after its release, there’s no telling what would’ve happened. All that you need to know is that the 15-track effort is as hard rocking and brilliantly innovative as any of the group’s creations. That’s no small feat.


Mastered from the original analog tapes and pressed at RTI, Mobile Fidelity’s numbered-edition 180g LP presents the ensemble’s abrasively melodic landmark in a fidelity it’s never enjoyed in any prior version. Featuring lusher keyboards and moodier soundscapes than its predecessors, but also reclaiming the nasty guitar edginess and swooning distortion of the group’s earliest efforts, Trompe de la Monde finally comes across as the Pixies intended: A sonic bridge between college-rock’s influential cruder-textured albums and the polished professionalism that distinguished alt-rock classics.


In other words, Mobile Fidelity’s version presents it with grit, rawness, and character, but mixed in with radio-friendly smoothness and virtuosic professionalism. Awash with incredible timbres and tonalities, myriad new details rise to the surface. Listen to the counterpoint melodies and layered vocals on “Letter to Memphis”; the trash-compactor feedback and thumping bass during the whipsawing “Planet of Sound”; the “Spyhunter”-like pace and limitless depth now present on “Subbacultcha.” Dynamics, contrasts, low-end frequencies, and imaging are all significantly enhanced. Compared to the original CD, Trompe le Monde emerges as a new album—a sonic wonderland that’s not far removed from that of Nirvana’s celebrated blockbuster Nevermind.


Musically, the Pixies were never better. On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes with hyper riffs, jerks to stop-start progressions, elates with cheerful emotions, and bangs on to giddy surf-fused arrangements. With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black takes the reigns and doesn’t disappoint. Tales about sea monkeys (“Palace of the Brine”), aliens (“Planet of Sound”), and love (“The Sad Punk”) bop alongside memorable jabs at hipster pretensions (“Subbacultcha”) and inflated egos (“U-Mass”). A contagious cover of the Jesus and Mary Chain’s “Head On” will have you hitting “repeat.” Power pop, wanderlust punk, theatrical glam rock, reconfigured reverb-laden country—all here, all encouraging repeat listens.


Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue. If you missed it the first time, don’t make that mistake again. Essential with a capital “E,” and the perfect way to close Mobile Fidelity’s Pixies catalog restoration series.

 


Lista de Faixas:

 

01. Trompe le Monde
02. Planet of Sound
03. Alec Eiffel
04. The Sad Punk
05. Head On
06. U-Mass
07. Palace of the Brine
08. Letter to Memphis
09. Bird Dream of the Olympus Mons
10. Space (I Believe In)
11. Subbacultcha
12. Distance Equals Rate Times Time
13. Lovely Day
14. Motorway to Roswell
15. The Navajo Know

 

Clique aqui para ouvir samples no YouTube.com

 

 


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