Reedições audiófilas fabulosas do catálogo Prestige pela Analogue Productions. As gravações mais procuradas, raras e com melhor som de Rudy Van Gelder. Todas masterizadas a partir das Fitas Master Originais Analógicas por Kevin Gray. Prensagem em vinil 180 gramas na Quality Record Pressings, com processamento de Gary Salstrom. Etiquetas Deep Groove, e capas estilo tip-on de cartão pesado.

• Edição Limitada
• Analogue Productions Prestige Mono Series
• Vinil Audiófilo 180 Gramas
• Masterizado por Kevin Gray na Cohearent Audio
• Corte a partir das Master Tapes Mono Analógicas Originais
• Acetatos preparados por Gary Salstrom
• Prensagem na Quality Record Pressings (QRP USA)
• Capa Deluxe "tip-on" com acabamento de alto brilho

This unusual meeting of four tenor saxophone players from different "schools" was part of the Prestige Friday afternoon jam session series but far from a typical outing. The giant forebears of Coleman Hawkins, Lester Young, and Charlie Parker inform the backgrounds of the performers on this LP — Hank Mobley, Al Cohn, Zoot Sims, and John Coltrane — and other influences such as Ben Webster, Dexter Gordon, and the Sonnys (Stitt and Rollins) show up, too, depending on which of the four protagonists you’re talking about.

With the Red Garland Trio supplying the underpinning, the four tenors meet on the common ground of the blues ("Bob’s Boys"), "I Got Rhythm" ("Tenor Conclave"), and two old standards. (The originals are by Mobley.) Rather than the stylistic differences, what stands out here is the compatibility and spirit of the four meeting on this common ground in an uncommon session.

Músicos:

Al Cohn, tenor saxofone
John Coltrane, tenor saxofone
Hank Mobley, tenor saxofone
Zoot Sims, tenor saxofone
Red Garland, piano
Paul Chambers, baixo
Art Taylor, bateria

Lista de Faixas:

1. Bob's Boys
2. Just You, Just Me
3. Tenor Conclave
4. How Deep Is the Ocean

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