Os melhores álbuns do catálogo lendário da Blue Note Records recebem o tratamento audiófilo pela Analogue Productions, corte a 45rpm para qualidade de som absoluta pelos igualmente lendários engenheiros de masterização Kevin Gray e Steve Hoffman na AcousTech, preservando toda a glória analógica das Fitas Master Originais para dar vida a estas sessões de forma espectacular como merecem.

• Edição Limitada
• Edição Numerada
• Corte a partir das Master Tapes Analógicas Originais
• Masterizado por Kevin Gray e Steve Hoffman
• Masterizado na AcousTech
• 2LP 45rpm Vinil Virgem 180 Gramas
• Prensagem na RTI USA

"…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands…Back home a month later, I unpack some test pressings Chad Kassem has sent me…I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud." – Jason Victor Serinus, Stereophile

John Patton, Grant Green and Ben Dixon were introduced to Blue Note by Lou Donaldson and quickly became the quintessential rhythm section for Blue Note's funkier session. They came together for this, John Patton's first album, with two of the label's tenor saxophonists Fred Jackson and Harold Vick. The double tenors and organ trio make an unbeatable combination for some soulful, swinging music. The title tune and "The Silver Meter" were radio hits that remain among the most popular of Patton's recorded performances.

"By the time John Patton recorded Along Came John, his debut as a leader, he had already become a familiar name around the Blue Note studios. He, guitarist Grant Green, and drummer Ben Dixon had become the label's regular soul-jazz rhythm section, playing on sessions by Lou Donaldson, Don Wilkerson, and Harold Vick, among others. They had developed an intuitive, empathetic interplay that elevated many of their sessions to near-greatness, at least in the realm of soul-jazz. That's one of the reasons why Along Came John is so successful -- the three know each other so well that their grooves are totally natural, which makes them quite appealing. These original compositions may not all be memorable, but the band's interaction, improvisation, and solos are. Tenor saxophonists Fred Jackson and Harold Vick provide good support, as well, but the show belongs to Patton, Green, and Dixon, who once again prove they are one of the finest soul-jazz combos of their era." - Thomas Erlewine, All Music

Músicos:

John Patton, orgão
Grant Green, guitarra
Ben Dixon, bateria
Fred Jackson, tenor saxofone
Harold Vick, tenor saxofone

Lista de Faixas:

1. The Silver Meter
2. I'll Never Be Free
3. Spiffy Diffy
4. Along Came John
5. Gee Gee
6. Pig Foots

Clique aqui para ouvir samples no YouTube.com ♫