Um disco que mudou o jogo, The Shape Of Jazz To Come de 1959 marcou o início de uma nova Linguagem do Jazz que iria alterar a evolução da música de uma forma dramática. Ornette Coleman abandona acordes e a estrutura das escalas, troca o sax tenor pelo alto, e cria uma obra-prima com Charlie Haden e Don Cherry. Remaster audiófilo das Master Tapes Originais por Bernie Grundman tem som fabuloso!

Avaliação mais alta do Penguin Guide To Jazz: 4/4 Stars & Crown Award
Avaliação 5 Estrelas no All Music

Rolling Stone 500 Greatest Albums of All Time Rated 248/500

• Edição Limitada
• Duplo LP 45rpm Audiófilo
• Masterizado a partir das Master Tapes Analógicas Originais
• Masterizado por Bernie Grundman
• Vinil 180 gramas prensado na Pallas da Alemanha
• Capa Gatefold

1959’s landscape-shifting The Shape of Jazz to Come is true to its title. Switching from tenor to alto sax, Ornette Coleman creates free jazz, a language where chords structures are absent and harmony gives way to improvisational whims. Ranked by Rolling Stone in the top 250 of its 500 Greatest Albums of All Time, the Atlantic set finds Coleman collaborating with Don Cherry, Charlie Haden, and Billy Higgins in making a masterful work free of any identifiable chord structures. Nonetheless, melodies remain, as do engrossing repetitions of main themes.

ORG Music brings the breakthrough arrangements and magnificent colors to life in a way no one’s experienced since the LP was recorded. Mastered from the original master tapes, this life-changing music has never sounded so alive and dynamic.

"One of the 20 Essential Free Jazz Albums" - Chris Kelsey, All Music Guide

"The structure (if that is what it can be called) of the six pieces comprising The Shape Of Jazz To Come is presentation of a theme (or traditional head) followed by free improvisation in the solo sections by Coleman and cornetist Don Cherry followed by restatement of the theme, multiple times, in some cases. Coleman hits upon his most empathic band with bassist Charlie Haden and drummer Billy Higgins, who remain reluctant last attachments to the old ways, providing a rock-solid swing to the recording as well as their own informed solo sections without interfering with Coleman's direction.

Coleman's approach is not unlike that employed by trumpeter Miles Davis that same year on Kind Of Blue (Columbia), recorded on March 2 and April 22, 1959, where Davis entered the studio with sketches of pieces and directed the band to improvise over scales rather than chords. What Coleman did differently with The Shape Of Jazz To Come (recorded May 22, 1959) was to do away with even scalar organization, opening up the solo canvas not simply two-dimensionally, but to fully four dimensions. The result to the jazz world was a full assault on two fronts that would eventually pave the way for post bop and fusion and bolder free jazz exploration." All About Jazz

Músicos:

Ornette Coleman, saxofone alto
Donald Cherry, corneta
Charlie Haden, contrabaixo
Billy Higgins, bateria

Lista de Faixas:

LP1 Lado A
1. Lonely Woman
2. Eventually

LP1 Lado B
1. Peace

LP2 Lado C
1. Focus on Sanity

LP2 Lado D
1. Congeniality
2. Chronology

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