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Miles Davis Four & More LP Vinil 180gr Mobile Fidelity Sound Lab Edição Limitada Numerada MFSL MoFi USA

Artista: Miles Davis
Título: 'Four' & More Recorded Live In Concert
Número de Catálogo: MFSL 1-376
Editora: Columbia
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797137614
Edição: Série de Restauro Miles Davis MFSL
Ano da edição original: 1966
Ano da reedição: 2013
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 418gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 7 Setembro, 2014
Colecção: MFSL Original Master Recording
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Preço Unitário: 37,47 €

Referência: MF331376JK

Disponibilidade: Em Breve




 

Four & More abre uma rara janela sobre Miles Davis ao vivo em meados dos anos 60 de forma espontânea e removido do confinamento do estúdio onde quase sempre liderava sessões com base conceptual temática, a tocar material fabuloso que Miles iria abandonar pouco depois em favor de um novo período de experimentalismo. Som fantástico nesta reedição da MFSL!

 

 

Miles Davis MFSL MoFi 180g Vinyl Reissues

 

 


Restauro Audiófilo do catálogo de Miles Davis pela Mobile Fidelity Sound Lab

A melhor qualidade de som e alguma da melhor música alguma vez gravada!

  • Edição Limitada
  • Edição Numerada
  • Vinil 180 gramas de Alta Definição prensado na RTI USA
  • Masterização half-speed no Gain 2 Ultra Analog System
  • Masterização Mobile Fidelity Sound Lab
  • Corte a partir das Master Tapes Analógicas Originais
  • Masterizado por Krieg Wunderlich e Shawn Britton
  • Capas interiores especiais antiestáticas
  • Capa Deluxe de cartão grosso e pesado

 

 

Exhilarating and Immediate Live Set Documents One of Davis’ Final Excursions With a Program of Standards. Hear the Interior of Philharmonic Hall at New York’s Lincoln Center Come Alive, Mobile Fidelity’s Fastidious Reissue Illuminates Venue Acoustics, Musicians’ Phrasings and whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams.

Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that he’d soon abandon in favor of experimentalism.

Part of Mobile Fidelity’s Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his band—notes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.

Recorded on February 12, 1964 in Philharmonic Hall at New York’s Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davis—accompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancock—approaches standards such as “So What,” “Seven Steps to Heaven,” and “Four” with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.

Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians’ fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.

At last, these historic recordings are afforded the breathing room and acoustic perspective they’ve always deserved. For listeners that may be unfamiliar with this title, prepare to be blown away—literally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelity’s 180g LP reissue ratchets up the thrills by several levels. Don’t miss this gem.

 

 

Músicos:

Miles Davis, trompete
George Coleman, saxofone tenor
Ron Carter, contrabaixo
Herbie Hancock, piano
Tony Williams, bateria

Lista de Faixas:

Lado A:
1. So What
2. Walkin’
3. Joshua / Go-Go (Theme and Announcement)

Lado B:
1. Four
2. Seven Steps to Heaven
3. There Is No Greater Love / Go-Go (Theme and Announcement)

 

Clique aqui para ouvir samples no AllMusic.com

 

 


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