Charles Mingus Mingus Mingus Mingus Mingus Mingus LP Vinil 180g Impulse Acoustic Sounds QRP USA
Título: Mingus Mingus Mingus Mingus Mingus
Número de Catálogo: B0033601-01 / Impulse A-54
Editora: Impulse!
Reeditado por: Impulse!
Código de Barras: 602435862101
Edição: Acoustic Sounds Series
Ano da edição original: 1964
Ano da reedição: 2021
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Peso Total do Artigo: 490gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 12 Dezembro, 2021
Colecção: Impulse Acoustic Sounds Series
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim
Criada pela Verve e Universal Music para oferecer edições audiófilas de algumas das melhores gravações de jazz de sempre, a nova Acoustic Sounds Series é supervisionada por Chad Kassem, utilizando engenheiros de masterização de topo e o engenho da Quality Record Pressings, os títulos são masterizados a partir das fitas analógicas originais, prensados em vinil 180g com capas da Stoughton Printing.
- Acoustic Sounds Series
- Masterizado a partir das Fitas Master Analógicas Originais
- Corte por Ryan K. Smith na Sterling Sound
- LP Vinil 180 Gramas Audiófilo
- Prensagem na Quality Record Pressings, QRP USA
- Capa Gatefold Deluxe da Stoughton Printing
"The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision." — The Jazz Record
Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography
Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.
All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such:
"II B.S." = "Haitian Fight Song"
"I X Love" = "Nouroog"
"Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"
"Theme For Lester Young" = "Goodbye Pork Pie Hat"
"Hora Decubitus" = "E's Flat Ah's Flat Too"
For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.
Mingus's second Impulse! album, released in 1963, was another large-ensemble masterpiece featuring two of the bassist/bandleader's greatest compositions - "Celia" and "Better Get Hit In Yo' Soul" - plus a famous version of Duke Ellington's "Mood Indigo".
Steve Huey of AllMusic writes, "Mingus Mingus Mingus Mingus Mingus is sort of a 'greatest hits revisited' record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well - 'II B.S.' is basically 'Haitian Fight Song' (this is the version used in the late-'90s car commercial); 'Theme for Lester Young' is 'Goodbye Pork Pie Hat'; 'Better Get Hit in Your Soul' adds a new ending, but just one letter to the title; 'Hora Decubitus' is a growling overhaul of 'E's Flat Ah's Flat Too'; and 'I X Love' modifies 'Nouroog,' which was part of 'Open Letter to Duke.' There's also a cover of Duke Ellington's 'Mood Indigo,' leaving just one new composition, 'Celia.'"
Músicos:
On A2 & A3:
Charles Mingus - Bass, Piano
Jerome Richardson - Baritone Sax, Soprano Sax, Flute
Dick Hafer - Tenor Sax, Flute
Charlie Mariano - Alto Sax
Rolf Ericson - Trumpet
Richard Williams - Trumpet
Quentin Jackson - Trombone
Don Butterfield - Contrabass Trombone, Tuba
Jay Berliner - Guitar
Jaki Byard - Piano
Dannie Richmond - Drums
On A2, A4, B1, B2, & B3
Charles Mingus - Bass
Dick Hafer - Tenor Sax, Flute, Clarinet
Jerome Richardson - Baritone Sax, Soprano Sax, Flute
Booker Ervin - Tenor Sax
Eric Dolphy - Alto Sax, Flute
Eddie Preston - Trumpet
Richard Williams - Trumpet
Britt Woodman - Trombone
Don Butterfield - Tuba
Jaki Byard - Piano
Walter Perkins - Drums
Lista de Faixas:
Lado A
01. II B.S.
02. I X Love
03. Celia
04. Mood Indigo
Lado B
05. Better Get Hit In Yo' Soul
06. Theme For Lester Young
07. Hora Decubitus
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