Reedições Vinil Audiófilo Blue Note Records Tone Poet. Joe Harley co-fundador da aclamada editora de vinil audiófilo Music Matters Jazz é o produtor desta nova série, títulos seleccionados masterizados a partir das fitas master originais em vinil 180g e capas deluxe. Masterização por Kevin Gray na Cohearent Audio e vinil prensado na Record Technology Incorporated, RTI nos EUA.

• Tone Poet Audiophile Vinyl Reissue Series
• Masterização Totalmente Analógica
• Corte por Kevin Gray na Cohearent Audio
• Masterizado a partir das Fitas Master Originais Analógicas
• Reedição supervisionada por Joe Harley (Music Matters)
• Prensagem RTI USA Vinil  Audiófilo 180 Gramas
• Capa Gatefold Deluxe
• Mono

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

The first thing that strikes you about Kenny Burrell's second Blue Note album, simply titled Kenny Burrell (BLP 1543) and released as part of Blue Note's fabled 1500 series, is the cover, which features an illustration by Andy Warhol, the first of three Blue Note covers the soon-to-be famed artist collaborated on with designer Reid Miles. The second is the striking music, which is drawn from four different sessions recorded in 1956 with the great guitarist featured in a variety of different configurations. The opener, a brisk romp through Harold Arlen's "Get Happy," features Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on congas. That leads into a stunning solo guitar rendition of the Gershwin tune "But Not For Me," which is followed by the live track "Mexico City," a piece by Kenny Dorham and recorded with the trumpeter's sextet at the Café Bohemia. Burrell and Flanagan are joined by bassist Oscar Pettiford and drummer Shadow Wilson on the Basie band number "Moten Swing" and Burrell's "Cheeta," and tenor saxophonist Frank Foster makes it a quintet for remainder of Side 2 on Pettiford's "Now See How You Are," Burrell's "Phinupi," and the Burton Lane standard "How About You."

Músicos:

Kenny Burrell - guitarra
Kenny Dorham - trompete (A3)
J.R. Monterose - tenor sax (A3)
Frank Foster - tenor sax (B2-B4)
Tommy Flanagan - piano (A1, A4, B1-B4)
Bobby Timmons - piano (A3)
Paul Chambers - baixo (A1)
Sam Jones - baixo (A3)
Oscar Pettiford - baixo (A4, B1-B4)
Kenny Clarke - bateria (A1)
Arthur Edgehill - bateria (A3)
Shadow Wilson - bateria (A4, B1-B4)
Candido conga - bateria (A1)

Lista de Faixas:

1. Get Happy
2. But Not For Me
3. Mexico City
4. Moten Swing
5. Cheeta
6. Now See How You Are
7. Phinupi
8. How About You

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