Reedições Vinil Audiófilo Blue Note Records Tone Poet. Joe Harley co-fundador da aclamada editora de vinil audiófilo Music Matters Jazz é o produtor desta nova série, títulos seleccionados masterizados a partir das fitas master originais em vinil 180g e capas deluxe. Masterização por Kevin Gray na Cohearent Audio e vinil prensado na Record Technology Incorporated, RTI nos EUA.

• Tone Poet Audiophile Vinyl Reissue Series
• Masterização Totalmente Analógica
• Corte por Kevin Gray na Cohearent Audio
• Masterizado a partir das Fitas Master Originais
• Reedição supervisionada por Joe Harley
• Prensagem RTI USA Vinil 180 Gramas
• Capa Gatefold Deluxe

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session." – Joe Harley

The trio of guitarist Grant Green, organist Larry Young, and drummer Elvin Jones had a unique alchemy from the first time they got together on Green’s 1964 album Talkin’ About. A couple months later the trio reconvened as a quartet with vibraphonist Bobby Hutcherson to record Street of Dreams. For 1965’s I Want To Hold Your Hand they subtly changed their palette again by adding tenor saxophonist Hank Mobley into the mix. The result was another simmering set imbued with sophisticated soul. The quartet elevates a collection of well-known songs with their easy-going elegance from a surprisingly successful bossa reinvention of the title track by The Beatles to the bona fide bossa nova classic “Corcovado” by Antonio Carlos Jobim. The set also includes unforgettable renditions of standards including Kurt Weill’s “Speak Low,” Victor Young’s “Stella By Starlight,” and Cole Porter’s “At Long Last Love.” I Want To Hold Your Hand capped off an extraordinarily prolific 5-year run for Green that saw him record more than 20 hard bop and soul jazz sessions for Blue Note. When the guitarist returned to the label in 1969 his style had evolved into the jazz-funk that would characterize his late career.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.

Músicos:

Hank Mobley - tenor sax
Larry Young - orgão
Grant Green - guitarra
Elvin Jones - bateria

Lista de Faixas:

A1: I Want To Hold Your Hand
A2: Speak Low
A3: Stella By Starlight
B1: Corcovado
B2: This Could be The Start Of Something
B3: At Long Last Love

Clique aqui para ouvir samples no YouTube.com ♫