Donald Byrd Byrd Blows On Beacon Hill LP Vinil 180g Mono Kevin Gray Blue Note Tone Poet USA
Título: Blows On Beacon Hill
Número de Catálogo: 602448819468 / TRLP17
Editora: Transition
Reeditado por: Blue Note
Código de Barras: 602448819468
Edição: Vinil Audiófilo Blue Note
Ano da edição original: 1957
Ano da reedição: 2024
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Peso Total do Artigo: 381gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 4 Agosto, 2024
Colecção: Blue Note Tone Poet Series
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não
Reedições Vinil Audiófilo Blue Note Records Tone Poet. Joe Harley co-fundador da aclamada editora de vinil audiófilo Music Matters Jazz é o produtor desta nova série, títulos seleccionados masterizados a partir das fitas master originais em vinil 180g e capas deluxe. Masterização por Kevin Gray na Cohearent Audio e vinil prensado na Record Technology Incorporated, RTI nos EUA.
- Tone Poet Audiophile Vinyl Reissue Series
- Masterização Totalmente Analógica
- Corte por Kevin Gray na Cohearent Audio
- Masterizado a partir das Fitas Master Originais Analógicas
- Reedição supervisionada por Joe Harley (Music Matters)
- Prensagem RTI USA Vinil Audiófilo 180 Gramas
- Capa Deluxe
- Mono
The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!
"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet
Recorded in 1956 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums. The standards heavy set was captured on a rainy Spring afternoon in the Beacon Hill home of engineer Steve Fassett which provided a casual atmosphere that gave the album both its title and its easy-going charm. Byrd is at his lyrical best on Joe Sullivan’s tune “Little Rock Getaway” as well versions of “Polka Dots and Moonbeams,” “If I Love Again,” and “Stella by Starlight.” The trumpeter lays out to let the trio shine on “People Will Say We’re in Love” and “What’s New.”
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket with a booklet.
Músicos:
Donald Byrd - trompete
Ray Santisi - piano
Doug Watkins - baixo
Jim Zitano - bateria
Lista de Faixas:
A1. Little Rock Getaway
A2. Polka Dots And Moonbeams
A3. People Will Say We’re In Love
B1. If I Love Again
B2. What’s New
B3. Stella By Starlight
Clique aqui para ouvir samples no YouTube.com ♫
Siga-nos