Stanley Turrentine With The 3 Sounds Blue Hour Music Matters LP Vinil 180 Gramas 33rpm Blue Note RTI USA
Título: Blue Hour
Número de Catálogo: MMBST-84057
Editora: Blue Note
Reeditado por: Music Matters
Código de Barras: 693692999228
Ano da edição original: 1961
Ano da reedição: 2015
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Peso Total do Artigo: 496gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 9 Maio, 2015
Colecção: Music Matters Blue Note 33rpm Series
Nota: Elegibilidade Limitada para Descontos
Da impressionante série de reedições Music Matters 33rpm, um dos melhores títulos da Blue Note e sessão memorável de Stanley Turrentine gravada por Rudy Van Gelder. Masterização audiófila de Kevin Gray das Master Tapes Analógicas Originais na Cohearent Audio em vinil virgem 180 gramas prensado na RTI e apresentado em luxuosa capa gatefold com fotos de alta resolução da sessão.
- Edição limitada a 3500 unidades
- Corte a partir das Master Tapes Originais Rudy Van Gelder da Blue Note
- Remasterizado por Kevin Gray na Cohearent Audio
- Masterização e Corte 100% Analógicos
- Prensado em vinil virgem 180 Gramas na RTI USA
- Capa gatefold Deluxe com fotos da sessão em alta resolução
Blue Hour has such a logical match up that it is very surprising that it did not happen again. Stanley Turrentine, the most soulful of all tenor-saxophonists, teams up with Gene Harris and the Three Sounds, one of the most swinging soul jazz trios, a group that was at the height of its popularity. The results are magical and timeless. At the time of this Dec. 16, 1960 recording, Stanley Turrentine was 26 and on the verge of stardom in the jazz world and beyond. In the 1950s he had worked with Lowell Fulson, Earl Bostic and other r&b bands. Most significant were his 1959-60 stint with Max Roach and his recordings with Jimmy Smith which helped lead to his signing with Blue Note. From the start, Turrentine’s fat tone, soulful style and ability to put a maximum amount of emotion into every single note made him instantly recognizable. Gene Harris was Turrentine’s equivalent on piano. His gutsy and bluesy style mixed together Oscar Peterson with Junior Mance.
He formed the Three Sounds with bassist Andy Simpkins and drummer Bill Dowdy in 1956 and the group was such a hit that they recorded 12 albums for Blue Note during 1958-62 including four in 1960 alone. Blue Hour features the original “Blue Riff” plus four of the most beloved songs in blues and jazz history. No matter how many times one has heard such songs as “Gee Baby, Ain’t I Good To You,” “Willow Weep For Me” and “Since I Fell For You,” these versions are still very special. Turrentine and Harris have similar approaches, being jazz masters who loved to play the blues. They constantly echo each other’s ideas and put such feeling into these vintage songs that they make every moment count. Stanley Turrentine and Gene Harris may have only teamed up this one time but Blue Hour is a classic that will be loved by anyone who is lucky enough to hear it.
Músicos:
Stanley Turrentine, saxofone tenor
Gene Harris, piano
Andrew Simpkins, contrabaixo
Bill Dowdy, bateria
Lista de Faixas:
1. I Want A Little Girl
2. Gee Baby Ain't I Good To You
3. Blue Riff
4. Since I Fell For You
5. Willow Weep For Me
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