The Oscar Peterson Trio We Get Requests 2LP 45rpm Vinil 180gr Sterling Analogue Productions QRP USA

Título: We Get Requests
Número de Catálogo: AP-8606
Editora: Verve
Reeditado por: Analogue Productions
Código de Barras: 753088860614
Ano da edição original: 1964
Ano da reedição: 2011
Quantidade de discos: 2
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Peso Total do Artigo: 530gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 25 Abril, 2014
Colecção: Analogue Productions Verve Series
Vinyl Gourmet TOP 100 Audiófilo: Sim
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim
Uma pérola para audiófilos e amantes do Jazz soa agora melhor do que nunca masterizado para 45rpm a partir das Master Tapes Originais por George Marino na Sterling Sound e prensado em vinil virgem de 180gr na QRP. O Trio voa depois de 5 anos a tocar sem alterações de pessoal e dá aos temas Pop da época, clássicos Bossa Nova e de Filmes, um swing rítmico tremendo envolto em sinergia telepática!
Incluído no Vinyl Gourmet TOP 100 Audiófilo
- Edição Limitada
- Duplo LP 45rpm em Vinil 180 Gramas
- Prensagem na QRP USA
- Masterizado por George Marino na Sterling Sound
- Corte a partir das Master Tapes Analógicas Originais absolutas
This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing.
When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic.
We Get Requests is a perfect example of Oscar Peterson's remarkable two-sided appeal. Technically, the album is filled with above average melodic development and solid rhythmic blend, while the repertoire is a crowd-pleaser. On this LP, the listener is treated to a tasteful mixing of current pop tunes, standards and originals. In We Get Requests, the Oscar Peterson Trio shows again why it is consistently at the top of polls taken among fans and musicians alike. Oscar, Ray and Ed had that rare ability to please the public with music of the highest quality.
Músicos:
Oscar Peterson, piano
Ray Brown, contrabaixo
Ed Thigpen, bateria
Lista de Faixas:
01. Quiet Nights of Quiet Stars (Corcovado)
02. The Days of Wine and Roses
03. My One and Only Love
04. People
05. Have You Met Miss Jones?
06. You Look Good To Me
07. The Girl From Ipanema
08. D & E
09. Time and Again
10. Goodbye J.D.
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