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Bob Dylan Blonde On Blonde 3LP 45rpm Vinil 180gr Caixa Edição Limitada Numerada MFSL MoFi RTI USA

Título: Blonde On Blonde
Número de Catálogo: MFSL 3-45009
Editora: Columbia
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797450096
Edição: Série de Restauro Bob Dylan MFSL
Ano da edição original: 1966
Ano da reedição: 2013
Quantidade de discos: 3
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 1315gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 29 Maio, 2014
Modificado / Restock em: 19 Janeiro, 2023
Colecção: MFSL Original Master Recording
Vinyl Gourmet TOP 100 Audiófilo: Sim
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim
Ponto mais alto do programa de reedições de Bob Dylan da Mobile Fidelity Sound Lab e seguramente a melhor versão que já ouvimos. Disco essencial de Bob Dylan e um dos melhores albums de sempre. Remasterização audiófila superlativa a partir das Fitas Master Originais por Krieg Wunderlich e Shawn Britton no Gain 2 Ultra Analog System da MFSL prensado em vinil 180 gramas na RTI. Apresentado numa Caixa Deluxe com 3 LP.
Incluído no Vinyl Gourmet TOP 100 Audiófilo
Stereophile 2014 Records To Die For!
Avaliado em 10/10 Música e 10/10 Som por Michael Fremer (Analog Planet)
Rolling Stone 500 Greatest Albums of All Time Rated 9/500
Rolling Stone 500 Greatest Songs of All Time "Visions of Johanna" Rated 413/500
Rolling Stone 500 Greatest Songs of All Time "Just Like A Woman" Rated 232/500
Restauro Audiófilo do catálogo de Bob Dylan pela Mobile Fidelity Sound Lab
A melhor qualidade de som e alguma da melhor música alguma vez gravada!
- Edição Limitada e Numerada
- Vinil virgem 180 gramas de Alta Definição 45rpm prensado na RTI USA
- Masterização no Gain 2 Ultra Analog System da MFSL
- Masterizado a partir das Fitas Master Analógicas Originais
- Corte por Krieg Wunderlich
- Capas interiores especiais antiestáticas
- Caixa rígida Deluxe (nova versão capa branca atrás)
1/2" / 30 IPS analog remix master to DSD 64 to analog console to lathe
Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn’t know. Professor Sean Wilentz, historian-in-residence for Bob Dylan’s Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who’ve tried: “The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty - in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld.” No lie.
As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed “that thin, that wild mercury sound,” the album’s famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.
Prized for a unique sound that cultural critic Greil Marcus tagged “the most glamorous record imaginable; listening you [can] see the checkered jester’s suit Dylan had worn on stage for the nine previous, furious months,” Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan’s request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelity’s reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you’ll ever hear in plain sight.
The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville’s top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.
As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyrics—to say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then there’s Dylan’s inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.
“Visions of Johanna.” “I Want You. “ Rainy Day Women #12 & 35.” “Sad Eyed Lady of the Lowlands.” “Absolutely Sweet Marie.” We could go on. “Essential” doesn’t even begin to cover the genius of this record that, now, sounds better than Dylan himself can imagine.
"The sound and overall presentation are simply astonishing. I don’t care how many time you’ve heard this album in stereo, you will hear musically significant details in every track. The instrumental separation and subsequent release of inner detail boggles the mind and ear. The release of information and textures on, for example, the late Kenny Buttrey’s kick drum alone will have you shaking your head. Same for the rhythm guitar fills and the keyboard parts….This reissue is simply better than the original in every way without showing any kind of revisionist disrespect to the original and that goes for the remix from the multi-track." -- Michael Fremer, Analog Planet
Lista de Faixas:
01. Rainy Day Women #12 & 35
02. Pledging My Time
03. Visions of Johanna
04. One of us Must Know (Sooner or Later)
05. I Want You
06. Stuck Inside of Mobile with the Memphis Blues Again
07. Leopard-Skin Pill-Box Hat
08. Just Like a Woman
09. Most Likely You Go Your Way and I’ll Go Mine
10. Temporary Like Achilles
11. Absolutely Sweet Marie
12. 4th Time Around
13. Obviously 5 Believers
14. Sad Eyed Lady of the Lowlands
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