Gravado em 1969, King Crimson In The Court Of The Crimson King permanece como um dos álbuns que definiu a música rock Britânica e um dos melhores álbuns de todos os tempos. Descrito por Peter Townshend na época como 'uma obra-prima peculiar', o disco atingiu status lendário ao longo dos anos tornando-se um dos grandes álbuns de Rock Progressivo.

• Edição Limitada
• Vinil Super-Heavyweight 200 Gramas
• Novo corte a partir de Masters aprovadas por Robert Fripp
• Corte por John Dent na Loud Mastering
• Apresenta o Stereo Mix original de 1969
• Reprodução da Capa Gatefold original

Recorded over a period of 10 days in August 1969 and released on October 10th of the same year, In The Court of the Crimson King stands as one of the defining albums of British rock music and one of the finest debut albums of all time. Described at the time as "an uncanny masterpiece" by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December.

One of the most anticipated and frequently requested high quality vinyl reissues finally returns to the 12" format! Featuring the Original 1969 Stereo Mix, newly cut from masters approved by Robert Fripp and pressed on 200 Gram Super-Heavyweight Vinyl, complete with the original iconic gatefold sleeve. In The Court of the Crimson King has been unavailable on vinyl for 20 years!

"The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument, along with his saxes and Fripp's guitar, making this a somewhat different-sounding record from everything else they ever did. And even though that Mellotron sound is muted and toned down compared to their concert work of the era (e.g., Epitaph), it is still fierce and overpowering, on an album highlighted by strong songwriting (most of it filled with dark and doom-laden visions), the strongest singing of Greg Lake's entire career, and Fripp's guitar playing that strangely mixed elegant classical, Hendrix-like rock explosions, and jazz noodling. Lineup changes commenced immediately upon the album's release, and Fripp would ultimately be the only survivor on later King Crimson records." - Bruce Eder, All Music

Músicos:

Robert Fripp, guitarra
Ian McDonald, sopros, woodwind, vibes, teclados, mellotron, vozes
Greg Lake, baixo, voz
Michael Giles, bateria, percussão, vozes
Peter Sinfield, falas, illuminação

Lista de Faixas:

1. 21st Century Schizoid Man including Mirrors
2. I Talk To The Wind
3. Epitaph including March For No Reason and Tomorrow And Tomorrow
4. Moonchild including The Dream and The Illusion
5. The Court of the Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets

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