Miles Davis E.S.P. 2LP Vinil 180 Gramas 45rpm Mobile Fidelity Edição Limitada Numerada MFSL 2016 USA
Título: E.S.P.
Número de Catálogo: MFSL 2-451
Editora: Columbia
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797245111
Edição: Série de Restauro Miles Davis MFSL
Ano da edição original: 1965
Ano da reedição: 2016
Quantidade de discos: 2
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 678gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 31 Dezembro, 2016
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim
Segundo grande quintento de Miles Davis com Wayne Shorter, Herbie Hancock, Ron Carter, e Tony Williams junta as tradições e futuro do jazz com o tipo de interacção intuitiva que ele chamou 'Percepção Extra Sensorial'. Uma gravação marcante, sinfonia perfeita de execução e composição, E.S.P. de Miles Davis definiu o modelo que o jazz iria seguir durante a década seguinte.
- Edição Limitada
- Edição Numerada
- Vinil 180 Gramas de Alta Definição 45rpm prensado na RTI USA
- Masterização half-speed no Gain 2 Ultra Analog System
- Masterização na Mobile Fidelity Sound Lab
- Corte por Krieg Wunderlich & Rob LoVerde
- Capas interiores especiais antiestáticas
- Capa Gatefold Deluxe
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Miles Davis E.S.P. Numbered Limited Edition 180g 45RPM 2LP from Mobile Fidelity. Landmark 1965 Recording Splits Divide Between Accessible Hard-Bop and Cutting-Edge Improvisation: Miles Davis' E.S.P. a Paragon of Cohesion, Chemistry, Interplay. Pressed at RTI, Mobile Fidelity's Reference-Caliber 45RPM Vinyl 2LP Set Presents the Music In Intimate, Transformational, Lifelike Sound. First Album Recorded by Davis' Classic Second Quintet: E.S.P. Teems With Brilliant Intensity, Energy, Emotion, Steadiness, Tension, and Interplay.
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.
For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here – notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time – and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.
As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.
Interlocking lines drive "Little One," alternating rhythms pulse through the funky "Eighty-One," melodies soar on the balladic "Iris," the aptly titled "Mood" broods over minor-key structures, and "Agitation" – goosed by a two-minute percussive introduction by Williams – delivers on its promise. No record – and no group of musicians – have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.
Músicos:
Miles Davis, trompete
Ron Carter, contrabaixo
Herbie Hancock, piano
Wayne Shorter, saxofone
Tony Williams, bateria
Lista de Faixas:
Lado A
1. E.S.P.
2. Eighty-One
Lado B
3. Little One
4. R.J.
Lado C
5. Agitation
6. Iris
Lado D
7. Mood
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